the prom

the prom

Off-Broadway Review: Elevator Repair Service’s “Everyone’s Fine with Virginia Woolf” at Abrons Arts Center

In Act III of Edward Albee’s classic play “Who’s Afraid of Virginia Woolf” (The Exorcism), George and Martha are alone following Nick and Honey’s departure. The deception that has haunted their marriage has been “exorcised” and the couple wonders what their future holds: Will things get better? Can they survive without the deception? Will they be all right? Albee’s dense…

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Broadway Review: “Carousel” at the Imperial Theatre

The beloved Rogers and Hammerstein “Carousel” has not often been revived on the Broadway stage since it first opened to critical acclaim in 1945, so this third incarnation, after a long hiatus since the highly successful production at Lincoln Center in 1994, will be welcomed by audiences who savor the familiar lavish score. Theater aficionados will be delighted by the…

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Off-Broadway Review: “Lonely Planet” at the Keen Company at the Clurman at Theatre Row

“And this is the thing: they will train you, they will teach you to hit, they will teach you to move – but they never tell you about the fear. Nothing the people in your Corner can tell you will prepare you for the fear.” – Jody to Carl Despite the outstanding performances of Arnie Burton and Matt McGrath, the…

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Off-Broadway Review: “The American Dream” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

Corina’s (Cristy Reynoso) dream is to reach New York City and start a new life. This American Dream begins in Guatemala and reaches a climax in Tucson, Arizona where the twenty-two-year-old illegal immigrant is being held in a “safe house” by her “coyotaje” Efren (Juan Ramirez, Jr.), the human smuggler who has illegally transported Corina from her crossing point into…

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Off-Broadway Review: “Bastard Jones” at the cell

There are numerous reasons to see “Bastard Jones,” the new musical now playing at the cell, but topping the list is to purely enjoy an evening of raucous fun. Vying for that acclaimed position would be the prodigious cast that provides the farcical, sometimes titillating escapades of Tom Jones based on the irreverent novel by Henry Fielding. Next the book…

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Off-Broadway Review: “Underground” at 59E59 Theaters

“And now here I am. Am I alone here? This is who we are. Isn’t this the fate of Generation Y (The Millennial Generation)?” – Claire When stepping onto or off from the underground (subway), riders are reminded to “mind the gap” – to pay attention to the dangerous space between the train and the platform that awaits a sudden…

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Off-Broadway Review: “Kentucky” at Ensemble Studio Theatre

Armed with the promise of her therapist’s willingness to offer phone support and clutching a bottle of sedatives from the same therapist, Hiro (played with a steely vulnerability by Satomi Blair) flies from New York to Kentucky to convince her younger sister Sophie (played with a charming but confident core by Sasha Diamond) not to marry Da’Ran (played with exquisite…

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“Nora” at the Cherry Lane Theatre” (Closed Saturday December 12, 2015)

“If I ever hope to learn anything about myself and the things around me, I’ve got to stand completely on my own. That’s why I can’t stay here with you any longer.” (Nora to Torvald) Ingmar Berman’s “Nora,” the retelling (a reduction really) of Henrik Ibsen’s “A Doll’s House,” is enjoying its English-language New York debut Off-Broadway at the iconic…

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“Summer Shorts” – Series A at 59E59 Theaters (Closed Saturday August 29, 2015)

July 27, 2015 | Off-Broadway, the prom, waitress > | Tags:

“10K” Written and directed by Neil LaBute In “10 K” a Man (played with a delicious passive coyness by J.J. Kandel) and a Woman (played with an equally delicious aggressive coyness by Clea Alsip) meet at a suburban (“Whispering Pines”) park and decide (after a good stretch) to jog together. Immediately, both disclose the less-than-satisfying natures of their married-with-children statuses….

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“Moses Man” at the New York Musical Theatre Festival at the Alice Griffin Theatre (Closed Monday July 13, 2015)

“Moses Man,” currently running at the New York Musical Theatre Festival, is based on the true story of writer Deborah Haber’s parents Kalman and Lily Haber whose nine-year journey from Nazi-occupied Austria throughout Europe, Cyprus, Palestine, and Africa finally – against many odds – leads to freedom and a new home in the United States. In “Moses Man” that survivor…

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