on that day
Sometimes there is no reason to try and improve or change something which would adhere to the adage “If it ain’t broke, don’t fix it.” Adjusting, tweaking, or trying to improve things when they already work well, can spell disaster. By altering the original parts or embellishing the simplicity of the original, it may in fact complicate or confuse the…
Currently running at Classic Stage Company, “A Man of No Importance” chronicles gay middle-aged bus conductor Alfie Byrnes’s (a gloomy and dispirited Jim Parsons) struggles to claim his agency in 1960s Dublin, Ireland’s repressive homophobic environment. His sexual status defines him as a criminal; however, Alfie self-defines as an ordinary man who secretly loves Robbie Faye (a spirited and generous…
In the current 20th anniversary production of “Topdog/Underdog,” Suzan Lori-Parks reminds the audience that when one does not receive unconditional and nonjudgmental love and chooses to disconnect from one’s cultural and family histories, things can and will go terribly wrong. From the first scene of the play currently running at the John Golden Theatre, it is evident that there is…
There is too much noise on the set of Victor I. Cazares’s “american (tele)visions” currently running at New York Theatre Workshop (co-produced with Theatre Mitu). Although that noise comes from what is certainly a dynamic and innovative set design by Bretta Gerecke and a clever technical design by Theatre Mitu’s Justin Nestor, Alex Hawthorn, and Kelly Colburn, it unfortunately masks…
Promising a touching love story following a one-nightstand encounter in Amsterdam, Clarence Coo’s “On That Day in Amsterdam” (currently on at 59E59 Theaters) delivers instead a convoluted story of risk, disenfranchisement, immigration policy, art history, and duplicity that has little to do with the narrative’s main characters. This is unfortunate given the actors are outstanding, the direction first-rate, and the…