Off-Broadway

“On the Conditions and Possibilities of Hillary Clinton Taking Me as Her Young Lover” at La MaMa (Closed Sunday March 15, 2015)

March 16, 2015 | Off-Broadway, you will die > | Tags:

In his new two-part lecture “On the Conditions and Possibilities of Hillary Clinton Taking Me as Her Young Lover,” Arthur Meek presents the indisputable and indefatigable premise that probable 2016 Presidential nominee Hillary Clinton requires a virile unsullied young lover and that the only candidate for that role is the lecturer himself. This imaginative and well-constructed riff just completed its…

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“John & Jen” at the Clurman Theatre on Theatre Row (Closed Saturday April 4, 2015)

March 14, 2015 | Off-Broadway > | Tags: ,

The charming chamber musical “John & Jen” opened in 1995 at the Lamb’s Theatre and is enjoying its twentieth anniversary revival at the Clurman Theatre on Theatre Row. It is a musical montage of the lives of Jen Tracy (Kate Baldwin), her brother John (Conor Ryan) and Jen’s son John also played by Mr. Ryan and explores the sometimes complicated…

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“Everything You Touch” at Rattlestick Playwrights Theatre at the Cherry Lane Theatre (Closed Sunday March 29, 2015

Everything you touch turns to gold. Everything you touch turns to dust. “Everything you touch surely dies.” (From the song “Let Her Go” by Passenger) “Everything You Touch” is a time warp and space warp marathon, pushing and pulling at the audience as it takes audience members on a roller-coaster ride through events in real time, through events in the…

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“Abundance” at the Beckett Thereat on Theatre Row (Closed Saturday March 28, 2015)

March 9, 2015 | Off-Broadway, on beckett > | Tags: ,

Referencing the word “Abundance” in the dictionary, several meanings appear, including ‘an extremely plentiful or over sufficient quantity or supply,’ ‘overflowing fullness,’ and affluence or wealth,’ which all diligently support the aptly titled Beth Henley epic play. The current revival of this important work by TACT, now occupying the Beckett Theater, closely examines the plight of two brave, unrelated, young…

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“Kill Me Like You Mean It,” at Fourth Street Theater (Closed March 8th, 2015)

If Eugène Ionesco and Martin McDonagh watched The Maltese Falcon,  they may very well have come up with something akin to Stolen Chair’s Kill Me Like You Mean It; but it wouldn’t be nearly as good as the comedic masterwork currently running at Fourth Street Theatre. When private eye Ben Farrell is hired to investigate a series of crimes seemingly…

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“Serenade” At Carroll Place (Closed August 3, 2015)

My, the immersive theatre has come a long way. From its ‘haunted house’ origins, this creepy interactive genre spawned such cult classic as”Sleep No More” and its spooky successor “Then She Fell.” Writer/Director Ava Lee Scott has nudged the form further with ‘Serenade’ a haunting, Gothic musical inspired by the works of Edgar Allen Poe. The audience begins the show…

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“Lives of the Saints” at Primary Stages at the Duke on 42nd Street (Closed Friday March 27, 2015)

March 4, 2015 | 42nd street, Off-Broadway > | Tags: ,

“Sometimes a cigar is just a cigar.” Attributed to Sigmund Freud Sigmund Freud’s iconic phrase might be an apt descriptor for David Ives’ “Lives of the Saints” currently running at Primary Stages at the Duke on 42nd Street. When Mr. Ives tackles the vicissitudes of the human condition (tackles the lives of the saints) as he does in the satisfying…

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“The Events” at the New York Theatre Workshop (Closed Sunday March 22, 2015)

“I like to imagine him in that night,/A trial berserker/An orphan in the moonlight,/Walking, singing, patrolling the bins by the coastal path,/looking for a tribe to protect.” Claire in “The Events” Reportedly, Anders Breivik – the rightwing extremist who bombed a government building in Oslo, Norway in 2011 killing eight people then shooting sixty-nine more in a youth camp –…

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“Rasheeda Speaking” at the New Group at the Pershing Square Signature Center (Closed Sunday March 22, 2015)

“But what if I was? What if I was standing in the bathroom with my ear up to the door? What if I heard every word you said, what would you do? How would you feel? Would you be embarrassed?” – Jaclyn When a play asks rich, deep, and enduring questions – truly rich and deep and enduring questions –…

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