delicate balance

delicate balance

Off-Broadway Review: The Purple Lights of Joppa Illinois at Atlantic Stage 2

“I like your sweater. That color’s good on you. Is that purple? (Ellis to his daughter) “So sometimes when I close my eyes there are cats and ocelots and burning trees. And sometimes the trees run like men on fire and sometimes there are ocelots up in the branches and they’re burning too.” (Ellis in “The Purple Lights of Joppa”)…

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Review: Keen Company’s Transformative “Boy” at the Clurman Theatre (Closed Saturday April 9, 2016)

“I wouldn’t want to be Frankenstein.” (Adam to Jenny in “Boy”) The Keen Company’s Mission is to create “theater that provokes identification, reflection, and emotional connection – enduring stories fearlessly told.” In order to fulfill that mission, there must be a master storyteller who knows how to create characters with conflicts (problems) that are not only engaging but connectable. The…

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“The Assistant” Presented by Six Part Productions at the Treehouse Theatre (Closed Sunday May 31, 2015)

“The Human Brain is such a fu** up” says Craig, praising the elegance of a computer and lamenting his learning-disabled daughter. It’s a sad, if vexingly relevant, notion that fits right at home in “The Assistant, “written by Ashley Minihan. (The Sunrise Side, Remission) A show about the future, family, and faulty-wiring, her play is a beautifully delicate balance of…

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“The Undeniable Sound of Right Now” at Rattlestick Playwrights Theater (Closed Sunday May 2, 2015)

“Time it was /And what a time it was, it was/A time of innocence/A time of confidences/Long ago it must be/I have a photograph/Preserve your memories/They’re all that’s left you.” “Bookends” by Simon & Garfunkel The insidious sounds of “right now” that threaten to relegate the present to the past creep eerily into Hank’s Bar in Chicago in 1992. Hank…

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“A Delicate Balance” at the John Golden Theatre (Closed February 22, 2014)

November 21, 2014 | a delicate, Broadway, delicate balance > | Tags:

(A second review of “A Delicate Balance” by David Roberts will be posted next week.) There might come a day when Edward Albee is treated like Shakespeare. A familiar foreign language with rhythmic underpinnings, Albee’s angst over the unattainability of human connection could be tantamount to The Bard’s dread of the Great Chain of Being. Artists and academics of the…

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