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Off-Broadway Review: “Daniel’s Husband” at Primary Stages at Cherry Lane Theatre

“The thing was, I was really good at it. And I loved it. I just loved being able to . . . I don’t know . . . make someone more comfortable. Make some of their pain go away. And it wasn’t just because it was someone I loved. It was . . . the fact that I was in…

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Broadway Review: “Miss Saigon” at the Broadway Theatre

The 2017 Broadway revival of “Miss Saigon” raises rich and deep enduring questions. Based on Giacomo Puccini’s “Madame Butterfly,” the mammoth musical has enjoyed decades of success – as has Claude-Michel Schönberg and Alain Boublil’s “Les Miserables.” Success aside, the questions remain: What is the “ultimate sacrifice” one human being can make for another? What are the moral parameters involved…

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Off-Broadway Review: “Picnic and Come Back, Little Sheba: William Inge in Repertory” at Transport Group Theatre Company at the Gym at Judson

“Picnic and Come Back, Little Sheba: William Inge in Repertory” at Transport Group Theatre Company at the Gym at Judson leaves one longing for more William Inge and more Transport Group – perhaps a trifecta that includes the 1955 “Bus Stop.” Inge’s themes of deep angst, “small ambition,” the search for identity and purpose, lost (or abandoned) youth, choices and…

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Off-Broadway Review: MCC’s “Ride the Cyclone” Rattles the Gates of Hell at the Lucille Lortel Theatre

“I KNOW THIS DREAM OF LIFE IS NEVER ENDING,/IT GOES AROUND AND ‘ROUND AND ‘ROUND AGAIN, YOU KNOW THE SUN IS RISING WHILE DESCENDING,/IT GOES ON AND ON AND NEVER ENDS.” – Jane Doe AKA Penny Lamb Like most of humankind residing earth side, the six young victims of a rollercoaster malfunction in “Ride the Cyclone” are trapped in a…

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Broadway Review: “Natasha, Pierre & the Great Comet of 1812” Sparkles at the Imperial Theatre

“I never thought that I’d end up like this./I used to be better.” – Pierre What is “The Great Comet?” The masterful musical, recently transferred to the Imperial Theatre on Broadway, seems to evoke disparate responses and critical interpretations. Some insist this is a complex musical requiring extensive knowledge of the French Invasion of Russia in 1812 and the ability…

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Baby Jane Dexter: More Rules of the Road (Closed Friday April 25, 2014)

January 20, 2014 | be more, Cabaret > | Tags:

Baby Jane Dexter steps onto the stage of The Metropolitan Room on the first evening of her current nine-show run with the confidence and grace that have become hallmarks of this cabaret legend. Most accomplished vocalists use their physical instruments to create what becomes their signature “style.” Baby Jane Dexter sings with not only her vocal instrument: she also sings…

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