Month: August 2016

Off-Off-Broadway Review: “Naked Brazilian” at FringeNYC at 64E4 Mainstage

One of the many solo shows being presented as part of the N.Y. International Fringe Festival is “Naked Brazilian,” written and performed by Gustavo Pace. The script follows his life from childhood in Rio de Janeiro to the streets of New York City and beyond elaborating on copious experiences that contribute to his engaging journey to the present day. The…

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Off-Off-Broadway Review: “The Unusual Tale of Mary and Joseph’s Baby” at FringeNYC 2016 at the SoHo Playhouse

“When Herod saw that he had been outwitted by the Magi, he was filled with rage. Sending orders, he put to death all the boys in Bethlehem and its vicinity who were two years old and under, according to the time he had learned from the Magi.” – Matthew 2:16 Don Chaffer’s “The Unusual Tale of Mary and Joseph’s Baby”…

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Off-Off-Broadway Review: “The Cleaning Guy” at FringeNYC 2016 at the Huron Club at the SoHo Playhouse

It is rare to find a solo show in the NY International Fringe Festival that includes original music and lyrics: that welcoming combination can be found in Paul Adams who happens to be “The Cleaning Guy.” A transplant from Kansas, he has been cleaning NYC apartments for the past twenty-five years and has an incredible roster of clients and their…

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Off-Off-Broadway Review: “Let the Devil Take the Hindmost” at the SoHo Playhouse

Among the shows opening the FringeNYC 2016 season is “Let The Devil Take the Hindmost,” a new play by Maya Contreras who – in a program note from the playwright – shares that she penned the play in response to the horrific crimes fueled by systemic and institutionalized racism. It deals with a family that, in resolution, blames its dysfunction…

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Off-Off-Broadway Review: “Black Magic” Transcends Death at FringeNYC 2016 at the Soho Playhouse

“I was not born for death and yet I have died a thousand times, he thought. And now I am born again for these hard times.” – Kathryn Lasky, “Frost Wolf” In forty powerfully engaging minutes, the cast of “Black Magic” explores the lives of seven slain black men “in the era of Orlando, Ferguson, and Black Lives Matter.” These…

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Off-Broadway Review: “Implications of Cohabitation” Flounders at the Clurman Theatre on Theatre Row

The Homeless Man (David Pendleton) sums up Nelson’s (Anthony Ruiz) dilemma in a simple phrase, “You should know there are implications to cohabitation.” Nelson is the husband and father of two families and he has not fulfilled either of those roles with any distinction from their beginnings. After the death of his wife Caitlin, Nelson wants to “make nice” with…

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Off-Broadway Review: “Newton’s Cradle” at the New York Musical Festival at the Pearl Theatre

“Newton’s Cradle” is an earnest attempt to create a serious musical that sheds some light on the subject of Autism by revealing some significant situations experienced by Evan Newton, who is living with this disorder. It joins the ranks alongside the Broadway play “Curious Incident” in trying to bring to the forefront the consequences associated with this condition and how…

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Off-Broadway Review: “Summer Shorts 2016 – Series B” at 59E59 Theaters

August 9, 2016 | american psycho, Off-Broadway > | Tags:

“BLACK FLAG” – Written by Idris Goodwin and Directed by Logan Vaughn The success of Detroit native Deja’s (Suzette Azariah Gunn) freshman year depends – as it always does for every first-year college student – on having a congenial roommate. Her Facebook conversations with that roommate Georgia native Sydney (Francesca Carpanini) have gone well as does the initial “in the…

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Off-Broadway Review: “Insomnia” at the Midtown International Theatre Festival at WorkShop Theater’s Main Stage

The new musical “Insomnia” played as part of the Midtown International Theater Festival. It is complicated, enjoyable and derivative, some of which might contribute to a possible successful future. The music and lyrics by Charles Bloom are like a collision between Sondheim and Finn, a beneficial “marriage” contributing to the progress of the production at this developmental stage. Screenwriter Brad…

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Off-Broadway Review: “Dust Can’t Kill Me” Strikes a Redemptive Chord at the New York Musical Festival at the June Havoc Theatre

“By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return.” Genesis 3:19 On its first return to New York City since it was featured in FringeNYC 2014, “Dust Can’t Kill Me” is a powerful and delightfully complicated trope…

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