David Roberts

A Post-Run Look and Interview Questions: “Giovanni’s Room” at Quintessence Theatre in Philadelphia, Pennsylvania (Closed Sunday, July 6, 2025)

After a successful run, including two extensions, “Geovanni’s Room” at Quintessence Theatre, the show closed on Sunday, July 6, 2026. Although the adaptation could have had a third extension, contractual considerations made that impossible. On May 28, Quintessence Theatre Group in Philadelphia, Pennsylvania brought a literary classic to life in the world premiere of James Baldwin’s “Giovanni’s Room,” adapted by…

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Off-Broadway Review: “Lowcountry” at the Atlantic Theater Company (Closed Sunday, July 13, 2025)

Abby Rosebrock’s “Lowcountry” at the Atlantic Theater Company follows two TikTok-matched strangers on their first date in David’s studio apartment in Moncks Corner, South Carolina. David (Babak Tafti) is a registered sex offender attending Sexaholics Anonymous, trying to regain custody of his son. Tally (Jodi Balfour) arrives early as he prepares dinner. Their casual conversation tailspins into unexpected tragedy. Both…

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Broadway Review: “John Proctor is the Villain” at the Booth Theatre (Closed Sunday, July 6, 2025)

May 4, 2025 | liberation, Off-Broadway > | "John Proctor is the Villain", Amalia Yoo, Booth Theatre, costume design by Sarah Laux, Danya Taymor, David Roberts, dramaturgy by Lauren Halvorsen, Fina Strazza, Fiona Robberson, Gabriel Ebert, Garrett Young, Hagan Oliveras, hair & makeup design by J. Jared Janas, intimacy coordination by Ann James, Julieta Cervantes, Kimberly Belflower, lighting design by Natasha Katz, Maggie Kuntz, Molly Griggs, Morgan Scott, movement direction by Tilly Evans-Krueger, New York Theatre Reviews, Nihar Duvvuri, Noah Pacht, production stage management by Kamra A. Jacobs, projection design by Hannah Wasileski, Sadie Sink, scenography by AMP featuring Teresa L. Williams, Shian Tomlinson, sound design and original composition by Palmer Hefferan, Taylor Williams, Theatre Reviews, Theatre Reviews Limited, Victoria Yoo, voice text and dialect coaching by Gigi Buffington

The “Match” in Kimberly Belflower’s thoughtful new play “John Proctor is the Villain,” currently playing at the Booth Theatre, is between the heavyweight team “Toxic Masculinity” and the underdogs “The Feminist Club.” The match takes place in Mr. Carter Smith’s (a far-too-transparent Gabriel Ebert) classroom “during spring semester, junior year, 2018 at Helen County High, the only high school in…

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Outer Critics Circle Announces Nominees for 2025 Outer Critics Circle Awards

April 25, 2025 | & juliet, Broadway, glengarry, hills of, LGBTQ+, maybe happy, NY Musical Theatre, Off-Broadway, purpose, sunset > | "Oh Mary", Cole Escola, Conrad Ricamora, David Roberts, John Gassner Award, Museum of Broadway, New York Theatre Reviews, Theatre Reviews, Theatre Reviews Limited, West Bank Cafe

The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town, national, and digital news publications, has announced the nominees for the 2025 Outer Critics Circle Awards, honoring the 2024-2025 Broadway and Off-Broadway season. Leading the pack with the most honors of the season is the Broadway musical Death Becomes Her, with twelve nominations, followed…

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Broadway Bound Theatre Festival 2025 Season Lineup Announced

Broadway Bound Theatre Festival is proud to announce its 2025 Season, showcasing the brand-new works of playwrights from across the country at AMT Theater on 45th Street. “We’re so excited to announce this season with some very strong staged work,” said Lenore Skomal, Festival Director. “We commit to our participants whole-heartedly, as our goal is to ease the anxiety of…

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Broadway Review: “Purpose” at the Hayes Theatre (Currently On)

Currently running at the Hayes Theatre, Branden Jacobs-Jenkins’s “Purpose” joins the important pantheon of plays about families, dysfunctional families in particular. These plays, including Branden Jacobs-Jenkins’s recent “Appropriate,” focus on the behavior patterns and the social practices that undermine and often destroy the integrity of family systems. Sometimes there is confession, forgiveness, and redemption in these narratives. Far too often…

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Broadway Review: “Glengarry Glen Ross” at the Palace Theatre (Closed Saturday, June 28, 2025)

Act One of David Mamet’s “Glengarry Glen Ross” currently running at the Palace Theatre takes place at a well-apportioned Chinese restaurant. Skillfully navigating Mamet’s iconic wordy text with rapid-fire delivery – in both monologues and dialogues – five realtors, their office manager, and a client with buyer’s remorse provide the exposition needed for the audience to parse Act Two. This…

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Off-Broadway Review: “Wine in the Wilderness” at Classic Stage Company (Closed Saturday, April 19, 2025)

The themes explored in Alice Childress’s “Wine in the Wilderness” currently running at Classic Stage Company include classism and economic struggles; the resilience and strength of communities and individuals navigating challenges in the economic, social and personal environments; identity; and the role of the arts in interpreting and influencing societal norms. And although these themes resonate in every community, Childress…

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Off-Broadway Review: “Ghosts” at Lincoln Center Theater’s Mitzi E. Newhouse Theater (Closed Saturday, April 26, 2025)

There are skeletons in Helena Alving’s (a tortured yet stalwart Lily Rabe) closet whose secrets she would rather not be revealed. More devastating to Helena than these skeletons is the bevy of ghosts that will not allow her to rest until their messages and warnings from her past are heard and fully processed in the present. Helena’s reawakened trauma is…

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Off-Broadway Review: “Vanya” at the Lucille Lortel Theatre (Closed Sunday, May 11, 2025)

In Simon Stephens’s brilliant “Vanya,” the adaptation of Anton Chekhov’s “Uncle Vanya, Andrew Scott portrays the eight main characters from the 1897 play. He depicts these familiar characters with a degree of believability and authenticity that is beyond remarkable. That would be impressive enough if he portrayed one character at a time, but there is often more than one character…

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