“Intimacy” at the New Group at the Acorn Theatre on Theatre Row (Closed Saturday March 8, 2014)

February 14, 2014 | david anzuelo intimacy, Off-Broadway | Tags:

“My mother just walked out the door one morning, and never came home. She once said to me: “Follow your heart, Matthew. Follow your heart, and you will always be happy.” I’m going to follow my heart. This way I’ll always know that she’s proud of me.” – From Matthew’s Prologue Just as Matthew’s (Austin Caldwell) “high end” video camera…

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“The Most Deserving” at The Women’s Project Theatre at New York City Center Stage II (Closed Sunday May 4, 2014)

Catherine Trieschmann’s new play “The Most Deserving” is a delicious and raucous mélange of six characters facing their own and others’ sexism, racism, and homophobia as they struggle to bestow a twenty thousand dollar award to a deserving local visual artist. “This artist,” Jolene Atkinson (Veanne Cox) informs her Arts Council, “must have lived in Ellis County for five years….

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“Philosophy for Gangsters” at the Beckett Theatre on Theatre Row (Closed March 1, 2014)

Buried somewhere beneath tired (and tiring) humor – much of it in poor taste – lies a story Liz Peak and Barry Peak intended to be engaging as well as humorous. Unfortunately their well-intentioned plan falls mostly flat in the world premiere of their “Philosophy for Gangsters” currently running through March 1, 2014 at the Beckett Theatre on Theatre Row…

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“The Tribute Artist” at Primary Stages at 59E59 Theaters (Closed Sunday March 16, 2014)

Charles Busch and his band of merry-makers have pitched camp (for all too short a time) at 59E59 Theater A for the final offering in Primary Stages’ twenty-ninth Season, Mr. Busch’s gender-bending and exquisite “The Tribute Artist.” The result of this incursion into the winter blues is nothing short of brilliant. From cast to creative team to direction, this delicious…

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Bernard Dotson “Live” at the Metropolitan Room (Closed Wednesday April 16, 2014)

February 7, 2014 | bernard dotson, Cabaret, the room | Tags:

Any doubt that Bernard Dotson is an intriguing multi-talented performer is soon dismissed after seeing his new energy packed show which debuted at the Metropolitan Room and will soon take flight around the country. “I don’t know how to begin/ To let myself let you in” are the opening lyrics heard from an offstage voice and will soon prove to…

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Karen Wyman – “The Second Time Around” at the Metropolitan Room (Closed in March, 2014)

February 7, 2014 | Cabaret, the room | Tags:

A national sensation in the late 1960s and early 1970s, Karen Wyman has decided after twenty-three years to stage her comeback and continue what has always been her passion: singing for her live audiences. That decision comes after having successfully raised her family and realizing that musically she had “a lot of growing up to do” in terms of truly…

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Jason Morris: Musically Yogic at the Metropolitan Room (Closed Monday March 17, 2014)

February 6, 2014 | Cabaret, liberation, the ally, the room | Tags:

MetroStar’s 1st Runner Up Jason Morris is not only an international trainer of yoga teachers and a successful entrepreneur involved in a successful chain of yoga centers; he is also an accomplished and unique performer. In his recent appearance at the Metropolitan Room, Mr. Morris continues to validate his mantra: “music has not only the power to move us to…

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“Almost, Maine” at the Gym at Judson (Closed Sunday March 2, 2014)

February 5, 2014 | no exit 2014, Off-Broadway | Tags:

“when by now and tree by leaf/ she laughed his joy she cried his grief/ bird by snow and stir by still/anyone’s any was all to her” – E. E. Cummings Ginette (Kelly McAndrew) and Pete (John Cariani) provide the dramatic context for Mr. Cariani’s “Almost, Maine” currently running at the Gym at Judson and already extended one week even…

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“Row After Row” at the Women’s Project Theater at New York City Center Stage II (Closed Sunday February 16, 2014)

Trope after trope thrusts Jessica Dickey’s “Row After Row” into a kaleidoscope of images present and past celebrating humankind’s insistence on moving forward through often seemingly insurmountable “battles” on an off the theatres of war. Currently running at New York City Stage II, “Row After Row” is part of the Women’s Project Theater’s thirty-sixth season of presenting plays written by…

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