“Spacebar: A Broadway Play by Kyle Sugarman” at the Wild Project (Closed Sunday November 9, 2014)

October 28, 2014 | Off-Broadway | Tags:

You remember that kid from high school? The one who was totally obsessed with Broadway, who had written their own play, with a near encyclopedic knowledge of playwrights, musicals, and Tony Award nominees? Well, Michael Mitnick has written a show about him; and his name is Kyle Sugarman. The play opens in heart rending fashion as a young Kyle’s father…

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“Lift” at 59E59 Theaters (Closed Sunday November 30, 2014)

What Harper Lee’s “To Kill a Mockingbird” and Lorraine Hansberry’s “A Raisin in the Sun” did for the complacency of the 1960s, Walter Mosley’s “Lift” attempts to do for the beginning of the twenty-first century. These important plays collectively challenge the racial, cultural and class consciousness of the American landscape. “Lift” uses the trope, here an extended metaphor, of the…

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“The Brightness of Heaven” at the Cherry Lane Studio Theatre (Closed Sunday December 14, 2014)

October 26, 2014 | Off-Broadway | Tags:

When Ed Kilgannon (played with powerful panache by Peter Cormican) stretches out on his favorite chair in his Buffalo, New York home, he is not simply snoozing; the head of the Kilgannon clan is doing his best to hide from the matrix of disturbing truths that threaten the fabric of his nuclear and extended Kilgannon-Jablonski families. And he is hiding…

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“Billy and Ray” at the Vineyard Theatre (Closed Sunday November 23, 2014)

October 23, 2014 | Off-Broadway, the collaboration | Tags:

Plays about the making of plays or the making of movies ought to adhere to the conventions of the genre being dramatized. Playwright Mike Bencivenga fails to accomplish this important writer’s task in his new “Billy and Ray” currently running at the Vineyard Theatre. This play about the collaboration between Billy Wilder (Vincent Kartheiser) and Raymond Chandler (Larry Pine) on…

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“Big: The Musical” at the York Theatre Company (Closed Sunday October 19, 2014)

“Kleider machen Leute” (Clothes people make.) – Gottfried Keller In mufti, with all the typical theatrical trappings stripped away, “Big: The Musical” becomes just small enough to really understand the characters in this iconic musical, clearly relate to their conflicts, and share in and relate to the stories these child and adult-sized conflicts spin. In its current run at the…

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“While I Yet Live” at Primary Stages at The Duke on 42nd Street (Closed Friday October 31, 2014)

October 12, 2014 | 42nd street, ghosts, max vernon, Off-Broadway | Tags:

“Give me my flowers/While I yet live/So that I, I, can see the beauty/That they bring.” – James Cleveland In 1994, just before the Thanksgiving turkey is carved and served, Calvin (Larry Powell) packs his things, says good-bye to Eva (Sharon Washington) and his sister Tonya (Sheria Irving) and leaves his Pittsburgh house and home. Sexually abused by his stepfather…

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“When January Feels Like Summer” at the Ensemble Studio Theatre and Women’s Project Theater (Closed Sunday October 26, 2014)

“There is a time for everything, and a season for every activity under the heavens.” – Ecclesiastes 3:1 It seems everything in Cori Thomas’s “When January Feels Like Summer” is out of synch, out of time, somehow oddly akilter and often akimbo. The weather is not seasonal. Relationships are not functioning within desired limits. Gender shakes itself out of traditional…

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“Riding the Midnight Express with Billy Hayes” at the Barrow Street Theatre (Closed Sunday November 30, 2014

October 10, 2014 | midnight, Off-Broadway, persuasion | Tags:

In October 1970, on his fourth attempt to smuggle hashish from Turkey to the United States, “the blond hippie” Billy Hayes was apprehended and remanded to Sağmalcılar prison for a four year and two month sentence. Because of then President Nixon’s war on the smuggling of drugs into the United States and his pressure on countries like Turkey to stem…

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“Scenes from a Marriage” at the New York Theatre Workshop (Closed Sunday October 26, 2014)

Ingmar Bergman’s “Scenes from a Marriage” is the epic examination of not only why marriages disintegrate but whether marriages are sustainable as a cultural institution. Director Ivo Van Hove’s reimagining of Bergman’s original screenplay – as did the television miniseries, the feature length movie, and prior stage versions – raises what are the essential questions about marriage, truly enduring questions…

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