be more chill

be more chill

New from TCG Books: “Here We Go” / “Escaped Alone” by Caryl Churchill

Theatre Communications Group (TCG) has announced the publication of “Here We Go / Escaped Alone” by Caryl Churchill. Both critically acclaimed works in this new volume premiered in London – Here We Go in the fall of 2015 at the Lyttelton Theatre, and Escaped Alone in January of 2016 at the Royal Court Theatre. Escaped Alone will premiere in the…

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Off-Broadway Review: “Ring Twice for Miranda” at New York City Center Stage II

“Sometimes I think you’re delusional about having all this power. Other times I think you’ve far too much of it.” – Miranda to Sir Alan Hruska’s new play “Ring Twice for Miranda,” currently playing at New York City Center Stage II, is starkly reminiscent of Jean-Paul Sartre’s “No Exit” and revisits the important existential themes of choices and their consequences,…

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Off-Broadway Review: “The Birds” Overreaches at 59E59 Theaters

September 15, 2016 | be more chill, Off-Broadway, sea wall > | Tags:

When the director and creative team of a play conspire in every way to make it difficult to see their product, it should meet with immediate suspicion. Instead, trusting audience members allowed themselves to be ushered into 59E59 Theater C and to be plopped into a bizarre configuration of seats – all on the same level – seemingly designed to…

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Off-Off-Broadway Review: “In the Master’s House There Are Many Mansions” at FringeNYC 2016 at Teatro LATEA at the Clemente

“Their relative ineffectiveness, however, is reflective of larger forces that combined over many decades to make blacks in the city all but invisible. And by now, the truth is that the black community has few genuinely influential advocates in San Francisco’s centers of power, the business community, and at City Hall.” – Amy Alexander, “The Atlantic” Following fifteen minutes of…

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Off-Broadway Review: “A Funny Thing Happened…” Teases the Psyche at the Lucille Lortel Theatre

If the title of Halley Feiffer’s new play “A Funny Thing Happened…” has any relevance – and this critic believes all titles are chosen for a specific purpose – then what happens before the audience meets Karla (Beth Behrs) and Don (Erik Lochtefeld) must be important. Otherwise, why borrow this great vaudevillian line? On the way to visiting their mothers…

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Off-Broadway Review: “Hadestown” Redefines Mythos at the New York Theatre Workshop

With some surprise – and a modicum of disbelief – I overheard the two Millennials settling in behind me at the performance of “Hadestown” I attended at the New York Theatre Workshop sharing that they “had no idea” what the show they were there to see was about. Is it possible to reach ones 20s and 30s and not know…

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Review: Austen’s “Sense and Sensibility” at The Gym at Judson (Extended through October 2, 2016)

“Quiet please. It’s Jane Austen. Sit still and pay attention so you don’t miss anything. She’s tough to understand sometimes.” None of these admonitions or warnings are relevant when watching Bedlam’s production of Austen’s “Sense and Sensibility” adapted for the stage by Kate Hamill and currently playing at The Gym at Judson in Manhattan. Bedlam’s stage version of this iconic…

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Review: “Ideation” at 59E59 Theaters (Closed Sunday April 17, 2016)

Aaron Loeb’s intriguing “Ideation” – currently playing at 59E59 Theaters – could easily be categorized as a delightful off-beat Drawing Room farce (except the room here is a corporate Board Room) were it not for the play’s underbelly of moral ambiguity, suspicion, mistrust, conspiracy, paranoia, and an extra-marital affair. Coming off a successful business venture in Crete, Brock (Mark Anderson…

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Review: “Buried Child” at the New Group at the Pershing Square Signature Center (Through Sunday April 3, 2016)

“Chronic remorse, as all the moralists are agreed, is a most undesirable sentiment. If you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.” ― Aldous Huxley, “Brave New World”…

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“Fondly, Collette Richland” at the New York Theatre Workshop (Closed Sunday October 18, 2015)

The Revelation of the Undertow of Wonder “I can’t help but wish and feel as if there’s more to our lives, somewhere, in this moment. Than this concern for the whereabouts and well-adjustment of a devil. I’m bored to exhaustion. Devil, devil. Devil. Bringer of evil. Filler of vacuums, blah blah blah.” Dora In a recent New York Times interview…

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