There are times when a trip to the theatre should being nothing but fun and entertainment. A clever and ingenious musical performed by a remarkable cast is an additional bonus. One need to look no further than the stage of Theater 555 where the production of “Romeo and Bernadette” graces the stage and provides the audience a skillful and crafty…
The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town newspapers and national publications, is pleased to announce the winners of the 71st Annual Outer Critics Circle Awards, honoring the 2021-2022 Broadway and Off-Broadway season. The Broadway play The Lehman Trilogy leads the pack with six wins, including Outstanding New Broadway Play, followed by…
The nominees for the 66th Annual Drama Desk Awards: Outstanding Play Cullud Wattah, by Erika Dickerson-Despenza, The Public Theater English, by Sanaz Toossi, Atlantic Theater Company Prayer for the French Republic, by Joshua Harmon, Manhattan Theatre Club Sanctuary City, by Martyna Majok, New York Theatre Workshop Selling Kabul, by Sylvia Khoury, Playwrights Horizons The Chinese Lady, by Lloyd Suh, The…
Two deeply significant plays by Jeremy O. Harris – “Daddy” (Off-Broadway 2019) and “Slave Play” (Broadway 2021) – highlighted significant issues about the self-identity of young black gay and queer men and raised rich and enduring questions about the role of family, friends, culture, and “indifferent yet fetishizing white gays” in that process of discovery. This season, Michael R. Jackson’s…
Award Announcement: The Outer Critics Circle 71st Annual Outer Critics Circle Awards Nominees By David Roberts Theatre Reviews Limited The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town newspapers and national publications, are pleased to announce the nominees for the 71st Annual Outer Critics Circle Awards, honoring the 2021-2022 Broadway and Off-Broadway season….
“The best laid schemes o’ mice an’ men / Gang aft a-gley.” – “To A Mouse” by Robert Burns Despite his claim to be “quite content to keep [his] own counsel, as [he] sees fit, and leave the jibber-jabber to the riff-raff, the riff-raff,” former hangman Harry Wade (played with a menacing panache by David Threlfall) seems quite content to…
“Since its premiere at The Public in 1976 and its subsequent transfer to Broadway later that year, much has happened to continue to impact the lives of the women of color celebrated by Ntozake Shange in her choreopoem “for colored girls who have considered suicide/ when the rainbow is enuf” currently running at the Booth Theatre for the second time…
The revival of “Take Me Out” by Richard Greenberg which opened at The Helen Hayes Theater, in many ways does not feel as if it were written twenty years ago, given the current political climate and the conservative challenges of LGBTQ+ rights. The story about a major league baseball star surprisingly coming out in a public arena, deals with the…
The Comedian Harmonists was an internationally famous all-male German singing group that was formed during the Weimar period and was forced to disband in the early 1930’s when the Nazi regime came into power. The group consisted of six males, three of whom were Jewish or of Jewish decent and one that had married a Jewish woman. The story of…
It has taken this reviewer a couple of days to contemplate the new stage version of the well-known children’s story “The Little Prince” penned by Antoine de Saint-Exupery, which has taken up residence at the Broadway Theatre for its New York debut. At first, although mesmerized by the illusionary concept put forth by an impressive creative team, the question that…