Author: David Roberts

Broadway Review: The Who’s “Tommy” at the Nederlander Theatre (Currently On)

There are very few words not sung but spoken in the rock musical “Tommy,” but three that might be relevant are “Brilliant, wasn’t it?” spoken by a local lad that happens to be part of a larger audience, amazed, while watching Tommy play his first game of pinball in a pool hall. Unfortunately, they are not the three words that…

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Broadway Review: “Water for Elephants” at the Imperial Theatre (Currently On)

When does “life” begin? Depending upon one’s religious beliefs, or scientific beliefs, or social media threads, the answer to the question is different. Does “life” begin at conception; in utero; at birth; in childhood; in adolescence; in old age; in death; or after death? Seen through the eyes of his older self in “Water for Elephants” (currently on at the…

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Off-Broadway Review: “Hamlet” at the Orpheum Theater (Through Sunday, April 14, 2024)

Adapted by Eddie Izzard’s sibling Mark Izzard, this “Hamlet” is among the best “Hamlets” on stage, screen, or stream. From the first scene of the iconic tragedy on the battlements of the royal castle at Elsinore when Marcellus relieves Francisco from his watch and where he, Horatio, and Bernardo encounter the Ghost of Hamlet’s father, to the closing scene where…

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Off-Broadway Review: “Dead Outlaw” at Audible’s Minetta Lane Theatre (Through Sunday, April 14, 2024)

Only in America, where greed, fame, crime and capitalism reign and members of a civilized society aspire to become part of the materialistic regime, can you discover the story of Elmer J. McCurdy, a futile outlaw who was gunned down in 1911. The new musical, which opened at the Minetta Lane Theatre with a book penned by Itamar Moses with…

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Off-Broadway Review: “The Seven Year Disappear” at the Pershing Signature Center (Through Sunday, March 31, 2024)

As patrons enter the performance of Jordan Seavey’s “The Seven Year Disappear” at The Pershing Square Signature Center, they see Miriam (Cynthia Nixon) sitting across from her thirty-something son Naphtali (Taylor Trensch). The two are motionless and intently staring at one another in the style of Yugoslav performance artist Marina Abramović facing off with a MoMA patron in the famed…

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Broadway Review: “Doubt: A Parable” at the Todd Haimes Theatre (Through Sunday, April 21)

“Doubt” can produce several similar congenial feelings such as uncertainty, suspicion, uneasiness, apprehension, distrust and confusion. Usually there is a situation or event that occurs that may be the cause, or possibly misinformation that may initiate speculation and accusation. The striking Broadway revival of John Patrick Shanley’s riveting drama, rightfully titled “Doubt,” now playing at the newly named Todd Haimes…

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Broadway Review: “The Notebook” at the Gerald Schoenfield Theatre (Currently On)

If you did not read the Nicholas Sparks novel “The Notebook,” you most likely saw the movie of the same name based on the novel and if you saw the movie chances are you have plans to see the new Broadway musical, with the same name and somewhat the same story, with just a few changes. Bekah Brunstetter has penned…

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Off-Broadway Review: “The Ally” at the Public’s Anspacher Theater (Closed Sunday, March 24, 2024)

Asaf and the members of the audience are the unwitting protagonists of Itamar Moses’s “The Ally” which is currently running at the Public’s Anspacher Theater. Asaf Sternheim (a well-meaning but uncommitted Josh Radnor) is Jewish, a writer, and an adjunct professor of writing at a prestigious American University in a struggling American city where his Korean American wife Gwen Kim…

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Broadway Review: “Appropriate” at the Hayes Theater (Currently On)

According to the dictionary, there are several definitions of the word ‘appropriate,’ but there may possibly be one that could be added, that being “a brilliant play by Brandon Jacob-Jenkins.” which is now having a stunning production mounted on Broadway by Second Stage Theater. Aptly titled “Appropriate” follows the ultra-dysfunctional Lafayette clan back to their family plantation home in Southeast…

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Off-Broadway Review: “I Love You So Much I Could Die” at New York Theatre Workshop (Closed Saturday, March 9, 2024)

Microsoft’s Text to Speech Voice read’s Mona Pirnot’s script aloud (scored with sequences of punctuation to create pauses and silences) as the playwright sits with her back to the audience at a small desk adorned by her laptop and a small lamp. Pirnot’s non-fictional narrative is the personal yet “Everyman” story of loneliness, love, loss, death, bereavement, acceptance, confession, forgiveness,…

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