Wilson Chin

Off-Broadway Review: “A Commercial Jingle for Regina Comet” at the DR2 Theatre (Closed Sunday November 21, 2021)

The new musical “A Commercial Jingle for Regina Comet” with music, book and lyrics by Ben Fankhauser and Alex Wyse, who also star in the Off-Broadway production now occupying the DR2 Theater is old. That’s a compliment and a good thing. It comes across as a good old fashioned musical comedy from decades ago with a present-day spin. The book…

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Broadway Review: “Pass Over” at the August Wilson Theatre (Closed Sunday October 10, 2021)

In Antoinette Chinonye Nwandu’s most recent iteration of “Pass Over,” two “brothers” Moses (Jon Michael Hill) and Kitch (Namir Smallwood) engage in an interminable exchange of escapist fantasy-dialogue in which they ask one another, “What kind of plans you got?” Moses’ His Promised Land Top 10 list includes “reaching his full potential,” “getting his ass off this block,” “a penthouse…

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Off-Broadway Review: Red Bull Theater’s “American Moor” at Cherry Lane Theatre

Keith Hamilton Cobb has been on an urgent mission, crisscrossing the United States since 2013 performing his “American Moor.” Mr. Cobb’s almost-one-man-show is a trope, here an extended metaphor, for the pressing need for dialogue around the systemic racism and other “false securities that our society rests on” (Rachel Elizabeth Cargle). Keith Hamilton Cobb makes it clear that unless we…

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Off-Broadway Review: “Teenage Dick” at the Public’s Shiva Theater

Playwright Mike Lew characterizes his play “Teenage Dick” as “vaguely from Richard III.” The protagonist of this engaging and quite dark play is high school junior Richard Gloucester (Gregg Mozgala). Richard has CP and likes to speak with a Shakespearean flair and verbiage. His disability and diction have made him the object of verbal and physical harassment. This Roseland High…

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Off-Broadway Review: “A Walk with Mr. Heifetz” at Primary Stages at Cherry Lane Theatre

In two thirty-five-minute acts, playwright James Inverne attempts to convince the audience that “music helped Israel find its cultural identity during its formative years.” In the first short act that takes place in 1926, Yehuda Sharett (Yuval Boim), a “kibbutznik from the Ukraine” and advocate for a Jewish homeland, takes a walk with Jascha Heifetz (Adam Green) and engages the…

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Off-Broadway Review: “Discord” Misses the Mark at Primary Stages

Members of the Primary Stages staff, prior to curtain, passed through the audience asking members to “select a button” based on who we thought would “win” the discordant discourse: Jefferson, Dickens, or Tolstoy – the three characters appearing in Scott Carters “Discord” currently running at Primary Stages. Further instructions included the option to change one’s mind after the play and…

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