Whitney Locher

Off-Broadway Review: “The Hello Girls” at 59E59 Theaters

There is no doubt that the so called “Hello Girls,” the bilingual operators that were sent to the front line to operate secured switchboards, were invaluable to the Signal Corps units in World War I. It is unfortunate that they needed to fight for sixty years to be recognized as veterans of that war in order to receive appropriate benefits….

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Off-Broadway Review: “Woman and Scarecrow” Challenges the Living at Irish Repertory Theatre’s W. Scott McLucas Stage

“[One] not busy being born is busy dying.” – Bob Dylan, “It’s Alright, Ma (I’m Only Bleeding)” It is one thing to have an imaginary friend, created to be summoned at will for conversation, company, and surcease from sorrow. It is quite another thing to have an alter ego, perhaps once created, but able to appear at its will and…

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Off-Broadway Review: “Georama: An American Panorama on 3 Miles of Canvas” at the New York Musical Festival at the Peter Jay Sharp Theatre

The Authors’ Note in the program for “Georama: An American Panorama on 3 Miles of Canvas,” currently running at the New York Musical Festival at the Peter Jay Sharp Theater, claims that John Banvard the subject of their musical “[has] been entirely obliterated by history.” Although that premise is not entirely accurate – articles about Banvard exist in numerous scholarly…

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Off-Broadway Review: “The Emperor Jones” at Irish Repertory Theatre

“Ain’t a man’s talkin’ big what makes him big-long as he makes folks believe it? [Sure], I talks large when I ain’t got nothin’ to back it up, but I ain’t talkin’ wild just [the] same. I knows I kin fool ’em—I knows it—and [that’s] backin’ enough [for] my game.” – Brutus Jones It is not easy to watch Eugene…

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