Manhattan Theatre Club is presenting a new Broadway production entitled “Jaja’s African Hair Braiding” penned by Jocelyn Bioh at the Samuel J. Friedman Theatre. Ms. Bioh has set her dramedy inside a hair braiding shop located in Harlem, during one entire day, and has filled the establishment with an array of colorful and outlandish employees and clientele. The occasional street…
Unlike the typical one-thousand-piece jigsaw puzzle where the completed puzzle matches the image on the cover, “The Collaboration’s” dénouement and resolution are nothing like the playwright’s supposed intention when writing the script. Anthony McCarten sets us up for a scuba diving expedition. The playwright teases us into a deep-sea dive into the wreckage that is the lives of two disparate…
“Cost of living indexes are meant to compare the expenses an average person can expect to incur to acquire food, shelter, transportation, energy, clothing, education, healthcare, childcare, and entertainment in different regions.” – Investopedia The folks in Martyna Majok’s “Cost of Living,” currently running at Manhattan Theatre Club’s Samuel J. Friedman Theatre, are not “average people” and they experience the…
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce plans to produce two additional shows for Manhattan Theatre Club‘s 2021-2022 season. In the winter of 2022, MTC plans to present the Broadway premiere of Skeleton Crew, written by Tony Award® nominee Dominique Morisseau (Ain’t Too Proud, Pipeline) and directed by Tony Award winner Ruben Santiago-Hudson (Lackawanna Blues, August Wilson’s Jitney) at the Samuel J. Friedman Theatre. Also, in Winter 2022,…
When couples have conversations about aging and approaching the end of their lives, generic yet fundamental questions arise. “What happens if I die before you? “Do you think you will die before I do? What am I going to do without you? “How will I live without you? “Is there anything you want to tell me before one of us…
“Every place I went felt the same. Cept . . . Until I got to Drew. Everybody didn’t like me but I had . . . I had space to let me be. Now everybody looking at me like, ‘Blackeye, probation, Yup, that’s what you get.’” – Pharus to ‘AJ’ After a successful and extended run at Manhattan Theatre Club’s…
One would think mounting a Broadway show about snooker would be perilous. Richard Bean’s “The Nap,” currently running at Manhattan Theatre Club’s Samuel J. Friedman Theatre, unfortunately confirms that fear. Think “The Hustler” staged as a farce with poorly developed characters whose conflicts are not believable and drive a less than satisfying plot. Dylan Spokes (an energetic and engaging Ben…
“No sir: we are afraid of you; but she puts courage into us. She really doesn’t seem to be afraid of anything. Perhaps you could frighten her, sir.” – Robert de Baudricourt’s Steward, Scene 1, “Saint Joan” George Bernard Shaw has had a successful run on Broadway in the 2017-2018 season. Shaw’s “Pygmalion” lies at the heart of Lerner and…
“Yes exactly. I would’ve felt like a traitor. Besides, retired people are like nuclear power stations. We like to live by the sea.” – Hazel to Rose The success of “The Children,” currently playing at Manhattan Theatre Club at the Samuel J. Friedman Theatre, is primarily the result of playwright Lucy Kirkwood’s effective and judicious use of tropes, particularly the…
Some audience members attending the engaging “Prince of Broadway,” currently running at the Samuel J. Friedman Theatre, might find themselves caught between the devil and the deep blue sea: either they are unforgiving musical theatre aficionados and find themselves constantly comparing the iconic musical numbers with the original Broadway production of the shows from which they come, or they have…