In an email with several attachments (none of which any of the invitees bothered to read), Morkan (the incomparable Marylouise Burke) invites several friends to her “very big house, on the banks of a large river, just north of a big city” to celebrate Epiphany and meet the honored guest, Gabriel. This is the setting for one of the most…
After an economic downturn and the subsequent gentrification closes the mining industry in 2017 Clements, Idaho, the residents vote to unincorporate as a town. But mining continues to flourish in Samuel D. Hunter’s “Greater Clements” currently running at Lincoln Center Theater’s Mitzi E. Newhouse Theater: not the mining of “silver, lead, zinc, copper, little bit of gold, some molybdenum,” but…
In the 18th and 19th centuries, new phrases entered the language of the sailors who took to the sea off the island of Nantucket, one of the whaling capitals of the world during that period. One specific expression “Nantucket Sleigh Ride” describes what happens when a harpooned whale drags the sailors in their long boat across the surface of the…
When a speaker raises alternate views of a significant problem and seems at one point to take “one side” and then “the other side,” and then advocates for the purity of moral ambiguity – presenting profound rhetorical arguments for each of those points of view – the audience is left bombarded by what seems like conflicting ethos, pathos, and logos…
If I told you—and I will —the components of the new show at Lincoln Center’s Mitzi Newhouse Theatre, my guess is you might not run out to see it. It is three hours long. There are two intermissions. There is no music and no dancing. There are no stars. It’s basically twelve people talking about peace in the Mideast. And…