LGBTQ

Off-Broadway Review: “Blue Ridge” at Atlantic Theater Company’s Linda Gross Theater

Abby Rosebrock introduces an interesting mélange of broken characters in her new play “Blue Ridge” currently running at Atlantic Theater Company’s Linda Gross Theater. She drops these six disparate “recovering” personalities into the vortex of a Christian halfway house in the Blue Ridge Mountains of western North Carolina. Pastor Hern (a cagey but caring Chris Stack) and his partner Grace…

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Broadway Review: “The Prom” at the Longacre Theatre

If anyone is looking for a fun night out, grab your significant other, or for that matter just pick yourself up, get dressed and go to “The Prom” where everyone is welcomed, and you are almost guaranteed to have a good time. The good old fashioned musical has returned to Broadway and just like those legendary shows from an era…

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Broadway Review: “Harvey Fierstein’s Torch Song” at Second Stage’s Helen Hayes Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ+ community of any decade or location, and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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Off-Broadway Review: “Black Light” at Greenwich House Theater

“We are stardust, we are golden/We are billion-year-old carbon/And we got to get ourselves back to the garden.” (“Woodstock” by Joni Mitchell) Jomama is the performer and alter ego of Daniel Alexander Jones who created the production “Black Light” now playing at Greenwich House Theater after a successful run at Joe’s Pub. She is a soul sonic superstar and when…

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Off-Broadway Review: “Fireflies” Redefines Love and Hope at Atlantic Theater Company’s Linda Gross Theater

It is clear from the start of Donja R. Love’s “Fireflies” that Olivia Grace (DeWanda Wise) is among the disconsolate: Olivia is languishing: Olivia’s wounded heart needs healing. There is a fire in Olivia’s soul that counterpoints the fire in the 1963 Fall sky above the home in the Jim Crow South she shares with her preacher-activist husband Charles Emmanuel…

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Off-Broadway Review: “Midnight at the Never Get” at York Theatre Company

The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for…

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Off-Broadway Review: “Collective Rage: A Play in 5 Betties” at MCC Theater’s Lucille Lortel Theatre

By agreeing to carefully examine the sex-role stereotypes attributed to women, five disparate women named ‘Betty’ cautiously approach self-acceptance and self-understanding in Jen Silverman’s “Collective Rage: A Play in 5 Betties” at MCC Theater’s Lucille Lortel Theatre. Their collective rage about their loneliness, their fears, their submission, and their dismissions by men is a welcomed examination of gender and sexual…

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Broadway Review: “The Nap” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

One would think mounting a Broadway show about snooker would be perilous. Richard Bean’s “The Nap,” currently running at Manhattan Theatre Club’s Samuel J. Friedman Theatre, unfortunately confirms that fear. Think “The Hustler” staged as a farce with poorly developed characters whose conflicts are not believable and drive a less than satisfying plot. Dylan Spokes (an energetic and engaging Ben…

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Broadway Review: “Straight White Men” at The Hayes Theater

When entering The Hayes Theater to see “Straight White Men, the audience is bombarded by loud music – so loud, one cannot speak to one’s neighbor. Person in Charge 1 (more later) approaches to ask if the music is too loud. If one answers ‘yes,’ one gets a free set of earplugs. If one answers ‘no,’ one finds out later…

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Off-Broadway Review: “Skintight” at the Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre

Thrown under the bus by her ex-husband Greg, a carping, selfish, completely self-centered Jodi Isaac (Idina Menzel) takes the red-eye from Los Angeles to New York City to “celebrate” her a self-assured father Elliot Isaac’s (Jack Wetherall) birthday. However, the real reason for her visit is that she “just, like couldn’t physically be in LA knowing” Greg and his new…

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