LGBTQ

Off-Broadway Review: The Church Is on Trial in Landmark Productions “The Saviour” at the Irish Repertory Theatre (Closed Sunday, August 13, 2023)

New York theater goers know Marie Mullen from her performance in “The Cripple of Inishmaan” as Billy Claven’s Aunt Kate who talks to stones, and from her performance in “The Beauty Queen of Leenane” as Meg who is desperate to escape from her tyrannical mother. Mullen returns to the New York Stage to play Maire the “Monster Irish Mother” in…

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Off-Broadway Review: “Dark Disabled Stories” Sadly Disappoints at the Public’s Shiva Theater (Closed Sunday, April 2, 2023)

I am an LGBTQ+ able-bodied and hearing person walking into the lobby of one of my favorite venues: The Public Theater.  There is a notice on the door to mask up before entering. I am early and after masking up and picking up my ticket, I lean up against one of the columns in the lobby and check out my…

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Off-Broadway Review: “A Man of No Importance” Disappoints at Classic Stage Company” (Closed Sunday, December 18, 2022)

Currently running at Classic Stage Company, “A Man of No Importance” chronicles gay middle-aged bus conductor Alfie Byrnes’s (a gloomy and dispirited Jim Parsons) struggles to claim his agency in 1960s Dublin, Ireland’s repressive homophobic environment. His sexual status defines him as a criminal; however, Alfie self-defines as an ordinary man who secretly loves Robbie Faye (a spirited and generous…

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Music Preview: Fantasy Non Fiction Releases Self-Titled Debut Digital Album on May 8, 2020 – Pre-Order Available Now

Fantasy Non Fiction is a fierce four-piece rock band featuring the original music of drummer/vocalist, Rose Cangelosi, a queer songwriter navigating the world through the catharsis of musical composition. Fantasy Non Fiction raises the bar for drummer-led projects, with complex rhythmic styles that complement the captivating melodies. A vivid, kaleidoscopic sound is rounded out with an array of musical influences…

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Off-Broadway Review: The New Group’s “one in two” in the Alice Griffin Jewel Box Theatre at the Pershing Square Signature Center

The title of Donja R. Love’s play “one in two,” currently running in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center, is reflective of the alarming 2016 study released by the CDC, which projected that “one in two Black gay and bisexual men will be diagnosed with HIV in their lifetime.” Trapped in a stark white…

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Off-Broadway Review: “The Michaels” at The Public’s LuEsther Hall

Once again playwright Richard Nelson has gathered another family around the colloquial table to observe their trials and tribulations as they conquer another day of survival in Rhinebeck, New York. This time around it is “The Michaels” who are the subjects of this intimate study of human behavior. The revelations evolve almost in real time as friends and family convene…

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Broadway Review: “Slave Play” at the Golden Theatre

“Slave Play,” currently running on Broadway at the Golden Theatre, reiterates the events on the fourth day of the Antebellum Sexual Performance Therapy being held at MacGregor Plantation, a few miles south of Richmond, Virginia. Three couples have signed up for the workshop to engage in the “radical therapy designed to help black partners re-engage intimately with white partners from…

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Off-Broadway Review: “Sunday” at Atlantic Therater Company’s Linda Gross Theater

Jack Thorne’s “Sunday,” currently running at Atlantic Theater Company’s Linda Gross Theater, seems to elicit one of two responses: disappointment or robust enthusiasm. A group of Gen Z friends gather in a New York City apartment for one of what has become Sunday Book Club gatherings. This Sunday’s meeting is at Marie’s (a somewhat broken and conflicted Sadie Scott) and…

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Off-Off-Broadway Review: “A White Man’s Guide to Rikers Island” at The Producers Club

A grizzly and wisened Richard Roy emerges from the darkness at the beginning of “A White Man’s Guide to Rikers Island,” currently running at The Producers Club, to introduce his autobiographical “guide” to surviving the prison environment he shared for six months of his young adult life on Rikers Island on a charge of negligent homicide. Roy then steps off…

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Off-Broadway Review: Colt Coeur’s “Eureka Day” at Walkerspace

What could go wrong at a private school whose board of directors (all five of them) make all decisions based on consensus and have only what benefits the community at heart. A board so committed to inclusion that the school’s cultural identity drop-down menu for prospective parents offers eleven choices. And if Eli (Brian Wiles) has his way, because of…

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