Bradley King

Off-Broadway Review: “Little Shop of Horrors” at the Westside Theatre

The most recent revival of “Little Shop of Horrors” by the musical theatre team Howard Ashman and Alan Menken surely proves to be timeless and timely. The musical numbers still seem to linger in your head long after you leave the theater just as they did when the show first opened off-Broadway at the Orpheum Theatre in 1982. The plot…

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Off-Broadway Preview: “Little Shop of Horrors” Opens at The Westside Theatre

The producers of the Off-Broadway return of Howard Ashman and Alan Menken’s landmark musical “Little Shop of Horrors” have announced that Tony Award nominee Gideon Glick (“To Kill A Mockingbird,” “Significant Other”) will join the cast of the production for two weeks only, from Tuesday, November 5 – Sunday, November 17, while original star Jonathan Groff is on a scheduled…

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Broadway News: “Hadestown” to Open on Broadway on April 17, 2019 at the Walter Kerr Theatre

Producers Mara Isaacs, Dale Franzen, Hunter Arnold, and Tom Kirdahy announced today that “Hadestown,” the new musical by celebrated singer-songwriter Anaïs Mitchell, developed with visionary director and Tony Award® nominee Rachel Chavkin, will transfer this spring to Broadway’s Walter Kerr Theatre (219 West 48th Street). Preview performances for “Hadestown” will begin Friday, March 22 ahead of a Wednesday, April 17…

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Broadway Review: “Bernhardt/Hamlet” at Roundabout Theatre Company’s American Airlines Theatre

Sarah Bernhardt (an intense and commanding Janet McTeer) struggles with her decision to play Shakespeare’s “Hamlet” not because of self-doubt or weakness, but because she is not sure William Shakespeare wrote the tragedy all that well or fully understood the play’s protagonist. During rehearsals for the play and for Bernhardt’s groundbreaking role as Hamlet, she argues with her cast about…

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Off Broadway Review: “The Treasurer” at Playwrights Horizons’ Peter Jay Sharp Theater

Max Posner’s “The Treasurer,” currently running at Playwrights Horizons’ Peter Jay Sharp Theatre, is a play about Ida Armstrong’s (played with a fragile irascibility by Deanna Dunagan) youngest son (played with an equally fragile ego strength by Peter Friedman) whose siblings have placed him in charge of their mother’s bank account, her spending, her assets and her liabilities. This role of…

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