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"Caliban"
by Russell Currie
"Faith" by Michael Ching
At the Vital Theatre Company
Reviewed by David Roberts for Theatre Reviews Limited
The Vital Theatre Company has combined two one-act operas into an
evening of theatre which explores both madness and the strength of
the human spirit.
Russell Currie's "Caliban" takes up where Shakespeare's "Tempest"
leaves off with Prospero's man-monster servant Caliban remaining on
the island once given to him by his mother Sycorax. Currie's opera
deals with existential themes which have relevance beyond the plight
of Caliban; namely, solitude and loneliness and the enslavement of
the human spirit (and body). Ryan Allen's Caliban is an odd but effective
cross between Robinson Crusoe and Don Quixote who alternately crawls
across the barren stage and flings himself against the walls of the
set. Sometimes wakeful, sometimes dreaming, Caliban mourns the loss
of his freedom and curses Prospero for first giving him language then
robbing him of his very sanity. He queries, "How much of our madness
is the result of past gifts given for selfish reasons?" The performance
of September 3 found Allen without his voice. Providing all the speaking
and all the singing, David de Jong displays a voice which resonates
like the bowed string of a bass or the sonorous thirty-two foot pedal
pipe on an organ. Together, these artists (accompanied by music director
Jennifer Peterson), give the audience a tortured spirit of a Caliban
who longs for wisdom lost and cries to dream again. For Caliban, as
for so many others, comfort and release lie not in waking but in the
blissful arms of dreams.
Perhaps faith on the rebound looks a lot like self-doubt. At least
that's the case with Michael Ching's one-act opera "Faith" which deals
with the woman by the same name (Elizabeth Wiley) who, with her son
Flip (Rufus Read) is rebounding from the loss of husband/father and
finds herself under the spell of a Japanese Beetle-eating horticulturist
named, aptly, Gardiner (Christopher Haney). Gardiner just wants Faith
to have faith in him and his intentions. Faith wants to "trust her
heart" despite her doubts that she is ready for a new love relationship.
Supported by her friend Betty (Judith Skinner) and guided by her son's
youthful trust, Faith finally succumbs to Gardiner's courting and
admits she "feels he is someone [she could] love." Eschewing the men
who respond to her personals ad (DWF, etc.) for Gardiner, Faith takes
the leap of faith and trusts that he won't let her down.
Michael Ching's music is hardly melodic and, coupled with a somewhat
flawed lyric based on a sci-fi short story, does not always sustain
interest in Faith and her courtship. There seem to be few reasons
for Faith to want to connect with Gardiner. She's rebounding from
a miserable marriage; her friend Betty is unhappy in her marriage;
and she admits from the start she "doesn't know what she's looking
for!" Is her love for Gardiner genuine, or is she just choosing him
as the best of the responses she receives from her personals ad (including
a plumber who looks like Fabio and a computer programmer looking to
score)? Taken as allegory, "Faith" does ask some interesting questions
and posit some challenging solutions. Gardiner's believe that we have
to "imagine the future" to see "what the possibilities are" is pure
sci-fi credo. And Betty's wonderment that we can understand one another
at all and fall in love is surely representative of the millennial
angst about human relationships. Much of the singing is pleasant enough
and the duets are often delicious; however, the cast has to often
struggle hard to bring vitality to the somewhat weighty, unmelodic
score.
Reviewed on Friday, September 3, 1999
"CALIBAN"
By Russell Currie. Directed by Scott C. Embler. Music director, Jennifer
Peterson. Stage manager, Martin Miller. Presented by the Vital Theatre
Company at 432 West 42nd Street, 3rd floor, between 9th and 10th Avenues.
Performances are Thursday through Saturday at 8:00 p.m. and Sunday
at 3:00 p.m. through Sunday, September 19. All tickets are $12.00.
For reservations, call 212-592-4508.
WITH: Ryan Allen (performing the role) and David de Jong (singing
the role).
"FAITH"
By Michael Ching. Creative team and performance details same as above.
WITH: Elisa Gonzalez (Supernumerary), Christopher Haney (Gardiner),
Rufus Read (Flip), Judith Skinner (Betty), and Elizabeth Wiley (Faith).
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