Off-Broadway Review: “Play Like A Winner” at the New York Musical Festival at the Peter Jay Sharp Theater

The new musical “Play Like a Winner” is based on the stage play “It’s All About the Kids” by Caytha Jentis which comically explores the dark side of competitive soccer moms vying for social status in upscale suburbia. The opening musical number “Sacrifice” is sung by the company surrounding the body of the coach lying dead, center stage impaled with…

Read More Buy Tickets

Off-Broadway Review: Ice Factory’s “The Anthropologists Save the World!” at the New Ohio Theatre

Part I of Ice Factory Festival’s “The Anthropologists Save the World!” currently running at New Ohio Theatre, is entitled “The Lecture” and begins with the announcement of a lecture by utopian novelist Aldous Huxley (unfortunately not named in the program). Huxley begins to expound about “Man and the Potentialities for Human Change.” Sue, the absent member of the smoker’s cessation…

Read More Buy Tickets

Off-Broadway Review: “Arcadia” at PTP/NYC at Atlantic Stage 2

“I’m the kind of person who embarks on an endless leapfrog down the great moral issues. I put a position, rebut it, refute the rebuttal, and rebut the refutation. Forever. Endlessly.” – Tom Stoppard in an Interview with Mel Gussow about “The Real Inspector Hound,” “New York Times,” April 26, 1972 Apparently, Tom Stoppard practices what he preaches. The type…

Read More Buy Tickets

Off-Broadway Review: “Pity in History” at PTP/NYC at Atlantic Stage 2

“Turning and turning in the widening gyre/The falcon cannot hear the falconer;/Things fall apart; the centre cannot hold;/Mere anarchy is loosed upon the world,/The blood-dimmed tide is loosed, and everywhere/The ceremony of innocence is drowned;/The best lack all conviction, while the worst Are full of passionate intensity.” – “The Second Coming,” W.B. Yeats “Pity in History,” currently running at PTP/NYC 2016…

Read More Buy Tickets

Off-Broadway Review: “The Fourth Messenger” at the New York Musical Festival at the Acorn Theatre at Theatre Row

In Tanya Shaffer’s and Vienna Teng’s “The Fourth Messenger,” currently playing at the New York Musical Festival at the Acorn Theatre at Theatre Row, the journey of protagonist Sid Arthur (Nancy Anderson) counterpoints the journey of Siddhārtha Gautama the Buddha of the current age. “Mama Sid” – as the world-renowned spiritual leader is addressed by her devotees – is holding forth…

Read More Buy Tickets

Off-Broadway Review: “Temple of the Souls” at the New York Musical Festival at the Acorn Theatre at Theatre Row

Perhaps “Temple of the Souls,” the new musical being presented as part of NYMF, would be more powerful as an operetta, which would validate the melodrama afforded in this current production. It is yet another version of the ever-familiar love-struck youth from to different cultures, torn apart by their family and resulting in a tragic finale. Inspired by some truthful…

Read More Buy Tickets

Off-Broadway Review: “Night Tide” at the New York Musical Festival at the Peter Jay Sharp Theater

“And so, all the night-tide, I lie down by the side/Of my darling—my darling—my life and my bride,/In her sepulchre there by the sea—/In her tomb by the sounding sea.” – “Annabel Lee,” Edgar Allan Poe Based on the 1963 B Movie of the same name, “Night Tide, currently running at the New York Musical Festival at the Peter Jay…

Read More Buy Tickets

Off-Broadway Review: “Numbers Nerds” at the New York Musical Festival at the Peter Jay Sharp Theater

One of the welcomed distinctions about the new musical “Number Nerds” is that its creation was prompted in response to the need for more female roles available for the high school, college, and community theater circuit. In that respect, it successfully targets that audience with lighthearted comedy, energetic music and a book that promotes good moral values. It is a…

Read More Buy Tickets

Off-Broadway Review: “The Cadaver Synod: A Pope Musical” at the New York Musical Festival at the Acorn Theatre at Theatre Row

Is it serious or a joke, a love story, a punk rock pseudo opera or possibly a retro piece paying homage to the irreverent, sensational pop musicals of the seventies, which were usually found playing in the then edgy East Village? The fact is it could be all the above, but the problem is, it executes none of them with…

Read More Buy Tickets