Off-Broadway Review: “Pride and Prejudice” at Primary Stages at Cherry Lane Theatre

Kate Hamill has done it again. The ‘it’ in question, is her remarkable ability to adapt Jane Austen’s iconic novels for the stage. Her adaptation of “Sense and Sensibility” had a successful Off-Broadway run of over two-hundred and sixty-five performances. Her current adaptation of “Pride and Prejudice” which is playing at Primary Stages at Cherry Lane Theatre should enjoy the…

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Broadway Review: “Once On This Island” at Circle in the Square Theatre

“Once On this Island” was certainly an enchanting and memorable visit twenty-seven years ago and that may in fact cloud the opinions expressed when recently returning to this island and commenting on what had changed. Some audience members may have experienced finding an unknown out of the way place that had a simple and charming ambience, with friendly locals that…

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Broadway Review: “JUNK” at the Vivian Beaumont in Lincoln Center Theater

The highly anticipated new play by Pulitzer Prize winning playwright Ayad Akhtar entitled “JUNK” – referring to the bonds sold in the 1980s by Machiavellian inside traders – does tend to sacrifice intrigue for the sake of entertainment. The plot centers around the fictional junk bond king Robert Merkin (played with unscrupulous charisma by Steven Pasquale), as he manipulates his…

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Off-Broadway Review: “Hundred Days” Transforms Love’s Limits at New York Theatre Workshop

With their recent collaboration with Sarah Gancher and Anne Kauffman, Abigail and Shaun Bengson (“The Bengsons”) have redefined the meaning of the theatrical convention of the musical. Without elaborate sets, costumes, large ensembles of singers and dancers, and multi-million-dollar budgets, The Bengsons have successfully mounted a stunning musical with a believable story and a brilliantly executed score. “Hundred Days,” currently…

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Off-Broadway Review: “Torch Song” Wobbles at Second Stage’s Tony Kiser Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ community of any decade or location and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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Off-Broadway Review: “The Mad Ones” at 59E59 Theaters

The New York premiere of the not-so-new musical “The Mad Ones” is making its New York premiere and being presented by Prospect Theater Company at 59E59 theaters. It is a coming of age story that is propelled by the Jack Kerouac’s iconic 1957 novel “On the Road” but laden with clichés, superfluous situations and a skimpy script that tries to…

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Off-Broadway Review: “Harry Clarke” Wrangles with Reality at the Vineyard Theatre

Harry Clarke (the persona and the person) was born out of the dysfunctional matrix of paternal abuse and maternal collusion that plagued Philip Brugglestein from his childhood through his adulthood. David Cale’s play “Harry Clarke,” currently playing at the Vineyard Theatre, is a complex and engaging psychological study of dissociative identity disorder (DID) and explores the provenance of that condition…

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News: Universal Theatrical Group Acquires Rights to Develop Stage Musical Based on the Life Story and Music of The Bee Gees: Barry Gibb to Executive Produce

Universal Theatrical Group (UTG), Universal Pictures’ live theatre division, announced that it has reached an agreement with Barry Gibb, Yvonne Gibb, and the Estate of Robin Gibb to develop a biographical stage musical based on the life story and music reached an agreement with Barry Gibb, Yvonne Gibb, and the Estate of Robin Gibb to develop a biographical stage musical…

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Off-Broadway Review: “Stuffed” at the Westside Theatre Downstairs

If you are in the mood for insult comedy that claims to take the important topic of women and weight seriously – but does not – then Lisa Lampanelli’s “Stuffed,” currently enjoying a revival at the Westside Theatre Downstairs, might be a show to put on your “must-see” list. However, if you think making jokes about the color of Michael…

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Off-Broadway Review: “Jesus Hopped the ‘A’ Train at The Pershing Square Signature Center’s Irene Diamond Stage

The value of enduring questions is that they are not specific to a time or place or event. Theatre should be raising enduring questions and conflicts that playwrights (and their cultures) grappled with hundreds of years ago and remain relevant today. Stephen Adly Guirgis raises several such questions in the revival of his play “Jesus Hopped the ‘A’ Train,” currently…

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